Across the works, the viewer is positioned at a threshold, advancing toward something that remains unresolved. Vertical forms line these paths, suggesting trees, structures, or clustered elements of the natural world, yet they resist stable definition. Shifting in scale and proximity, they alternately press forward and recede, creating a tension between openness and compression. These forms act as interruptions, echoing the experience of roads cutting through nature, where the landscape is divided yet continues to grow on either side.